creation.
In which win.

Wednesday, May 27, 2009

at 9:29 PM;


Choon absolutely loves his guitar, the name of which he is not disclosing. But man, it's beautiful. Prima facie, it's arresting and prepossessing. Up close, it's so subtly winsome and exquisite that it leaves one short for breath.

The sunburst is awesome. Plus the fact that it's always polished and wiped after playing.

Now a peek at my new Deluxe Memory Man, which is the awesomeness. Makes my dulcet Strat sound even more euphonic than I thought possible.
By the way, the box with the striped cover is my new guitar/mic stuff box, and also my new stool. Yes, it supports my weight. Yes, it's cushioned. And awesome.


the rest is silence;



Tanks in East Berlin; and the writing is on the wall.

Tuesday, May 19, 2009

at 10:17 PM;


Rorshach's Journal. 12th October, 1985.
Dog carcass in alley this morning, tire tread on burst stomach. 

This city is afraid of me. I have seen its true face. 

The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout, "Save us!"

...and I'll look down and whisper, "No.

They had a choice, all of them. They could have followed in the footsteps of good men like my father, or President Truman. Decent men who believed in a day's work for a day's pay. 

Instead they followed the droppings of lechers and communists and didn't realize that the trail led over a precipice until it was too late. 

Don't tell me they didn't have a choice. 

Now the whole world stands on the brink, staring down into bloody hell, all those liberals and intellectuals and smooth-talkers...

...and all of a sudden, nobody can think of anything to say.



On Friday night, a Comedian died in New York. 
Someone threw him out of a window and when he hit the sidewalk his head was driven up into his stomach. 
Nobody cares. Nobody cares but me.



Paid last respects quietly, without fuss. 

Edward Morgan Blake. 
Born 1924, forty-five years a Comedian, died 1985, buried in the rain. 

Is that what happens to us? A life of conflict with no time for friends… so that when it's done, only our enemies leave roses.



Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. 
Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But Doctor...I am Pagliacci." Good joke. Everybody laugh. Roll on snare drum. 
Curtains.


the rest is silence;



glaciers melting in the dead of night; and superstars sucked into the supermassive

Sunday, May 17, 2009

at 8:44 PM;


This is my life.

I won't let you bury it.
I won't let you smother it.
I won't let you murder it.

Our time is running out,
Our time is running out.
You can't push it underground,
You can't stop it screaming out.

And how can we win
When fools can be kings?
Don't waste your time,
Or time will waste you.

No one's gonna take me alive.
The time has come to make things right.
You and I must fight for our rights,
You and I must fight to survive.


streetlamp.

I spray my orange dust
Each evening, punctual
As a flower, I expose
Your actions and thoughts
Where the sun cannot reach.

Sometimes a trip in my circuitry allows me
To flash my Morse, the click-clack
Of a message mutilated in transit, each
New sentence more garbled than the last.

Come day, like an aged king I am
Bent double, adorned with my crown of
Golden sundew, punctuated with colored
Avian gemstones, landing as they do
On the shoulders of dendroid saints.



traffic light.
You pound upon the button
As if you have a say in my thoughts; my
Copper-nerve actions.
My mind is my own.

And unbidden I initiate a
Frantic countdown, the panic-incineration
Of the digital bomb-fuse,
Down to the inevitable
Explosion of automobiles,
Motorbike-shrapnel mingling with
The roaring of metal
In violent transit.

So you hit the mid-point of no-man's land,
And you are stuck, torn between
Past and future.
I can give no direction.

I offer only the chance to return
Past the bread crumbs and
Back to the beginning.
When two roads diverged in a cold metal wood.




pendant.
They first wrought me in fire; passion
And heat pulling me from my cold
Hard prison, the stomp-stomp-stomp
Of faceless metal limbs moulding me.
Then I cooled, and the flame was
Gone, impassion flooding into my
Lifeless form. And now the darkness
Of a cardboard box, artificial colors
Offering artifical commitment, the buzz
And static of smuggling scanners manned
By people with smuggled lives. And I was thrown
Into a glass cathedral, overhead spotlights
Cleverly calculated to illuminate my every
Facet, so you do not have to show
Your own. Then a rustle of paper,
A ding and a tear, and I find myself
Chained to a stranger; inanimate love.




I'm improving so much, so fast, improving in studies, improving in frisbee, in singing, in guitar, but somehow, it means nothing, not while I continue to hate and be hated. Not while Jesus isn't the prime directive, the only reason for which I live my life.

Why do you like to do this so much? You always go so cold without warning. I know I'm doing something wrong, but why can't you tell me so I can change? I'm willing to change, won't you give me a chance? But no. You don't want to give me a chance, you don't want to let anybody in anymore. You've been hurt so much you've shut yourself up tight. I'm trying, I'm really trying. But if you're happy that way, I'll leave you alone. Like you said. If God means for it to be, it'll be.

And you. No matter how hard I try, I can't stop feeling this irrepressible anger whenever I think of you. No, I don't want to think about it. I don't want to. Ever again.

You. All those of you. I don't know what's going on. You disgust me. Why waste your time pretending to be what you only want halfway to be? You're worse than those who don't care, or even those who've rejected it completely. Talk is cheap. But you, the crap you're giving isn't worth anybody's money. Shut up and decide.

From the abundance of the heart the mouth speaks. Evidently, my heart has a lot of cleaning up to do.


Rise before the sun, but leave when it lifts. The show must go on; so we start on the run. Buy us a meal, or buy us some time if we want to arrive there. Look ahead at the road; you can't see a thing, but maybe we'll make it before it's too late. There is no time to wait. Turn, turn on the lights, as they drive by. We're blown aside, keep your eyes on the road. Hands on the wheel; don't let us slip. This is almost a nightmare. Turn, turn on the heat; they can't feel a thing. As I fall asleep, keep your eyes off the white. Don't let us die tonight. 

White days like this, I'll never miss. 
They only come once a year, they only come once a year.

Feel the passing of day, though nothing has changed; night is determined to force us away. Buy me a room with pen and a muse; this is almost resourceful. Stop, but don't hit the brakes; they don't do a thing. We've made it to nowhere with no time to spare. No one said life was fair.

White days like this, I'll never miss.
They only come once a year, they only come once a year.


the rest is silence;



On a long enough timeline, the survival rate for everyone drops to zero. This is your life; and it's ending one minute at a time.

Thursday, May 7, 2009

at 10:53 PM;


ghazal one
We grew up in turmoil; amongst staccato-receipt gunfire and lethal black-haired bombshells,
Thus did anarchy move into the no-man's land of private thoughts.

Singapore, our self-seeking statistic-saying subtly-starving son-of-a-who-knows-what Singapore,
Spread your wings, with borrowed identity, borrowed culture, borrowed words.

A man looking at flickering screens, an office-cell, and his grande frap Starbucks enema.
It must be a rare thing these days to have no value-added blood, no caffeinated MSG life.

You say he is wrong, but he says you are right, and a paradox begins.
Gomez before Lee, self before others, and the opposition against the Party.

Grass is green, and likewise our garden-city envies the others; with chlorophyll eyes we watch north.
Choon, how wantonly you paint graffiti upong the canvas of mens' souls.




Counterfeit Poem.
This poem is dangerous.
Hidden between its lines is an agenda
Or three.
It could influence you unnecessarily,
Alter your thinking, actions or words.

One day you will be hauled onto the
Witness stand, and you will be
Cross-examined, under the beady eyes of
Questionable judges, with a tape recorder
Spooling your words back upon themselves.

So decide now, before it's too late.
You're almost halfway through this poem,
There's no need to read it all.
But what if you change your mind?

What if a sudden twist of words
At the end
Or was it the middle
Overturns your conclusion?

Still reading, I see.
What about a few of these, then:
"That which exists between two words
Is not a vacuum, but friction."
"The scratching of a pen is more beautiful
Than all the words it can ever write."
Or maybe some of these:
Thought. Action. Pen. Paper. Word. Sight. Thought.

You have been warned.
Your time is almost up.
This poem has gripped your thoughts.
So decide in haste.
Take a stand. Announce your verdict.
You can destroy a whole poem with one word.

Yours.


the rest is silence;



monograph.

choon.
law.
language.
music.
photography.
ultimate.
raffles.


friends.

you know who you are.

credits.

*chewy.gummies-
celsojunior


comatose.

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